Music: Instrumental Post Rock-Doom
Country: USA
Website: http://www.hydrahead.com/pelican
Duration: 58.46
Cool Songs: Last Days of Winter, March into the Sea, Red Ran Amber, Sirius.
When Chicagos monolithic instrumentalists Pelican released their March into the Sea EP a couple of months back, I made the statement that its musical approach was just a hint of what was possibly going to be an even more exploratory and daring full length. With the release of The Fire.. . it appears that my thoughts are pretty much on the money. However, if there was one aspect of March
that suggested any sort of change in their overall sonic landscape was on the cards, it was its cold emotive feel and slightly harsher tone. The Fire
seems to continue that theme. For anyone looking for a repeat of the warm, lush and brooding atmosphere of the colossal Australasia debut, The Fire.. . will most certainly surprise. Do not be mistaken though, this is still Pelican in all of its vast naked glory, but as progression would have it, this time they conjure up a slightly different beast.
Clearly, Pelican have conceived another quality release with The Fire.. Like their debut album, it waxes and wanes between vast expansive heaviness, mid tempo droning and the mellow acoustic soundscapes that so characterises their sound. However, whereas Australasia conveyed a slightly more emotive angle, The Fire is much starker in its delivery. The compositional expressiveness of the debut is retained, no question, yet there is a distinctly bleaker atmosphere that permeates this album. The darker cover art & accompanying booklet suggests as much (as compared to the brighter, psychedelic canvas of the debut) as do the song titles which boast a fixation on the seasons (Last Days of Winter, Autumn into Summer) and the heavens (Aurora Borealis and Sirius). Moreover, it is the bands willingness to explore the quieter, mellower moments via a very expressive acoustic ambience that makes The Fire a more confronting listen.
Like Cult of Luna, Neurosis and drone kings Mogwai, Pelican have always had the ability to marry light & dark in their music. Certainly, the ebb & flow between their heaving, pulsating crescendos and the haunting calmness of their acoustic element makes The Fire.. just as intriguing as previous efforts. Yet, it is the cleaner, crisper, slightly airy production that emphasises the bleaker feel I alluded to earlier. The acoustic segues in particular have this real heavy jangle vibe about them (check the seething beauty of Autumn into Summer), like an old rusty gate swinging menacingly in the breeze before its slams shut by an oncoming storm.
Whether you like this better than Australasia all depends how you value the musical approach of both albums. Creatively and artistically, The Fire is easily the debuts equal, perhaps even more so; and it is commendable that Pelican havent looked to simply retrace its lush warmer soundscapes. Still, the emotional impact of Australasia seems to hang a tad more convincingly in my eyes. Whatever your partiality, anyone looking to add this to their collection knows that Pelican deal in a form of music that defies almost every conventional structure and compositional expectation; That my friends, makes this band mandatory listening.
note: 8.6/10
Tracklist
1. Last Day of Winter
2. Autumn Into Summer
3. March Into the Sea
4. *
5. Red Ran Amber
6. Aurora Borealis
7. Sirius