VOID OMNIA announces December West Coast Tour

Taking their devastating hymns to the populations of the West Coast, VOID OMNIA will kick off their tour in support of Dying Light in Las Vegas on December 7th, followed by shows in Ventura, Los Angeles, San Diego, Tijuana, Phoenix, Prescott, Santa Fe, Colorado Springs, Denver, Salt Lake City, Boise, Spokane, Seattle, and Olympia before the final performance in Portland on December 22nd.

VOID OMNIA 2016 West Coast Tour:

12/07/2016 The Garth – Las Vegas, NV

12/08/2016 The Garage – Ventura, CA

12/09/2016 The Boulevard – Los Angeles, CA

12/10/2016 Tower Bar – San Diego, CA

12/11/2016 Mods – Tijuana, BJ

12/12/2016 The Rogue – Phoenix, AZ

12/13/2016 Gurley Street Coffee – Prescott, AZ

12/14/2016 TBA – Santa Fe, NM

12/15/2016 Flux Capacitor – Colorado Springs, CO

12/16/2016 3 Kings Tavern – Denver, CO

12/17/2016 Club X – Salt Lake City, UT

12/18/2016 Android House – Boise, ID

12/19/2016 The Observatory – Spokane, WA

12/20/2016 Highline – Seattle, WA

12/21/2016 Obsidian – Olympia, WA

12/22/2016 Ash Street Saloon – Portland, OR

Of Dying Light, Invisible Oranges proclaimed, “VOID OMNIA’s astral black metal builds their specific, classic sort of atmosphere with large melodies and blistering speed. This isn’t your ‘usual’ atmospheric black metal from the ‘West side of the Pond,’ there is a nice sort of mid-’90s Germanic vibe to this…” Cvlt Nation’s intense review includes, “the unrelenting and almost hysterical vastness of their songs that build and swell like an otherworldly storm, seemingly aimed at the vaults of heaven in an almost vertical climb toward complete sonic disintegration.” Last Rites published, “VOID OMNIA is channeling old Dissection with a fast assault of semi-melodic black metal from yesteryear. Lots of tremolo picking, blastbeats that periodically down shift to a mid-paced tempo, screeched vocals, and moments of melody complete the package.” A 4/5 review at Metal Music Archives issued, “Dying Light is the kind of black metal album that on the surface seems to be a one trick pony, but delving deeper will reveal some subtle hidden depths that adds identity to the band’s tracks,” and Metal Trenches proclaimed, “prepare yourself to be berated with furious layering of tremolo guitar that is simultaneously filled with sorrow and blazing to the touch… And the vocals? Tyrannous. The shrieks and howls on display in Dying Light are acerbic blasts that melt the ear canal to the bone.”