Rare STEVE VON TILL/HARVESTMAN Appearance And New Releases Announced

STEVE VON TILL (Neurosis, Harvestman) will be performing a rare set in his home region in Moscow, Idaho this February. This set will feature the lone artist performing both HARVESTMAN and SVT solo material. The appearance is to take place at the Prichard Art Gallery in downtown Moscow at 8:00 PM on the 13th of February, as part of a week-long show about KUOI, the University of Idaho's radio station.

As previously announced, HARVESTMAN is also confirmed as direct support for SHRINEBUILDER on three Bay Area shows this March, as part of the Neurot Recordings West Coast Tour featuring A STORM OF LIGHT in addition to SHRINEBUILDER.

STEVE VON TILL/HARVESTMAN live appearances:
2/13/2010 Prichard Art Gallery – Moscow, ID
3/05/2010 The Voodoo Lounge – San Jose, CA w/ Shrinebuilder, A Storm of Light, Brain Oil
3/06/2010 Oakland Metro – Oakland, CA w/ Shrinebuilder, A Storm of Light, Laudanum
3/07/2010 The Independent – San Francisco, CA w/ Shrinebuilder, A Storm of Light

This March, Neurot will release a limited edition release from HARVESTMAN, entitled Trinity. This release showcases the material actually used as the soundtrack for Italian horror film H2Odio [the English title is Hate 2 O], the album has been renamed for its Neurot Recordings release. Neurot will also then release the HARVESTMAN / MINSK / U.S. CHRISTMAS 3-way split entitled Hawkwind Triad; the split obviously featuring all three artists unleashing their takes on classic Hawkwind covers! More info on both of these releases will be made available soon.

The buzz on HARVESTMAN's 2009 release In A Dark Tongue is receiving some outstanding attention from the media:

“…Harvestman offers and exploration of space, time, and composition, yielding strange and interesting results.” – Outburn

“…notes hang heavy in an air about to be split asunder by a storm that never ends.” – Decibel

“It is an album rife with lonely ambient soundscapes and raucous psychedelic jamming, blending Western European folk influences and an open sense of structure to create something wholly unique within the Neurot milieu.” – The Aquarian Weekly

“…resists easy genre classification, touching on everything from soft, folk-friendly performances on autoharp to massive drones and back again…” – All Music Guide

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